conrade
"A friend is one of the nicest things you can have, and one of the best things you can be." (Douglas Pagels)
Wednesday, November 27, 2013
Midweek Meditation: Christmas Hope
As we prepare for the Advent season, for the next four weeks, we will be reflecting on the themes of hope, peace, joy, love, and finally, Christ. This week, we look at hope.
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Monday, November 25, 2013
BookPastor >> "Growing Up" (Robby Gallaty)
Want to do discipleship and not sure how? Maybe, this book can launch your journey to discipleship. This review was first published on September 25th, 2013 at Panorama of a Book Saint.
conrade
TITLE: Growing UP: How to Be a Disciple Who Makes Disciples
AUTHOR: Robby Gallaty
PUBLISHER: Bloomington, IN: Crossbooks, 2013, (248 pages).
This whole book tries to answer the following questions. How do we as disciples make disciples practically, daily, passionately, and plainly? Written with practice in mind, the methods described in this book have been time tested and group tested. For the past decade, the author has been a part of Discipleship Groups (D-Groups), ever since he was dramatically transformed from his past life as a drug and alcohol addict. He openly shares about his failures encountered. Rejected from the school basketball team, the author had to nurse a failed relationship with his girlfriend, suffered a failed business venture, endured an accident that broke parts of his back, and spiraling downward in drugs and depression. It took a dear friend to patiently walk him back to faith and hope. He experiences what it means to benefit from people who sought to make a difference in the lives of others. "Growing up" is about Gallaty wanting to be a part of the solution instead of being a part of the problem. What better way than to consolidate all his energies and ideas into the work of discipleship. For him, making a difference simply means helping to make disciples who can make more disciples.
Just like his Church's mission statement to "Deliver, Disciple, and Deploy," the author spends the first three chapters of the book to make a case for the importance and necessity of making disciples. The rest of the book is contained in six steps using the CLOSER acronym for ease of remembering.
conrade
TITLE: Growing UP: How to Be a Disciple Who Makes Disciples
AUTHOR: Robby Gallaty
PUBLISHER: Bloomington, IN: Crossbooks, 2013, (248 pages).
This whole book tries to answer the following questions. How do we as disciples make disciples practically, daily, passionately, and plainly? Written with practice in mind, the methods described in this book have been time tested and group tested. For the past decade, the author has been a part of Discipleship Groups (D-Groups), ever since he was dramatically transformed from his past life as a drug and alcohol addict. He openly shares about his failures encountered. Rejected from the school basketball team, the author had to nurse a failed relationship with his girlfriend, suffered a failed business venture, endured an accident that broke parts of his back, and spiraling downward in drugs and depression. It took a dear friend to patiently walk him back to faith and hope. He experiences what it means to benefit from people who sought to make a difference in the lives of others. "Growing up" is about Gallaty wanting to be a part of the solution instead of being a part of the problem. What better way than to consolidate all his energies and ideas into the work of discipleship. For him, making a difference simply means helping to make disciples who can make more disciples.
Just like his Church's mission statement to "Deliver, Disciple, and Deploy," the author spends the first three chapters of the book to make a case for the importance and necessity of making disciples. The rest of the book is contained in six steps using the CLOSER acronym for ease of remembering.
- Communicate with God through prayer
- Learn to understand and apply God's Word
- Obey God's commands
- Store God's Word in our hearts
- Evangelize
- Renew our Spiritual life daily.
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Wednesday, November 20, 2013
Midweek Meditation: A Prayer for Tacloban
On November 8th, 2013, a super typhoon hit Tacloban in the Philippines. Many lives perished. Families distraught and the world watched in horror. How can we help? How can we pray? This week, we pray for the survivors, where some may be wondering why they are alive while their loved ones are dead.
(Photo credit: abc.com.au) |
They escaped the waves, and survived the storms;
So many of their friends, colleagues, loved ones, didn't.
Wondering why they are still alive while others are not,
Guilt rains around, Confusion reigns all over.
They say: "Why them? Why not us? Why God?"
Questions mount about life;
Seeking answers about the dead, the dying, and the disaster.
Many questions, few answers.
What is the meaning of it all?
Why must the super typhoon even exist?
Is there a God?
Like Job, we cannot understand the calamity that befall Tacloban.
We can only wait for help.
We can only look for hope.
We can only hope for light.
O Lord, help Tacloban.
O Lord, do not make the needy wait too long.
O Lord, help the rest of us remember the survivors in prayer.
Enable us to help whatever we can.
conrade
Labels:
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Monday, November 18, 2013
BookPastor >> "Wounded by God's People" (Anne Graham Lotz)
Ever been hurt by people in Church? Do you want to learn about the healing process needed? If you have, and are still hurting from it, you may like to consider picking this book up. This review was first published at Panorama of a Book Saint on September 16th, 2013.
conrade
TITLE: Wounded by God's People: Discovering How God's Love Heals Our Hearts
AUTHOR: Anne Graham Lotz
PUBLISHER: Grand Rapids, MI: Zondervan, 2013, (240 pages).
Some of the deepest hurts are inflicted by people closest to you, even God's people. Some of the deepest healings are guided by God through the valley of hurts and wounds. So says the daughter of the famous Billy Graham. This reality has been experienced by many people. Most of them do get unreported. For various reasons, people choose to keep silent and quietly suffer the hurts they have received. Some will leave their church community they love. Others may even go around mouthing bad things as a retaliation. Not many will go on record to forgive and to publicly testify how God has healed them in spite of the deep hurts they have suffered from God's people. Ruth Graham Lotz is one such person who bucks the trend. She begins with painful memories of how she and her husband have been ostracized by her own Church in the aftermath of a power struggle, and compares her experience to that of Hagar. Feeling dumped by most of the Church people, she experiences the pain of rejection. Moreover, she was hurt by people she had respected, even receiving some wrongful accusations along the way. As she recalls the blows, she reflects back on Hagar, how God is bigger than any hurt.
Being hurt also brings about certain positive things. She learns that people who wound others are people who have been wounded themselves. This is the vicious cycle of pain. Like Sarah who has experienced the pain of being ignored by her husband, and as a result hurts Hagar. There is also the example of Hannah in the Bible, who was constantly ridiculed by Peninnah for not bearing a child. What happens is usually escape or to take flight. Wounded people, especially God's people often run away from the people who wound them. Thankfully, Lotz wastes no time in bringing readers toward the God who heals. Less than a third into the book, readers will notice that Lotz's intent is to lead people toward God more and more. There is no hurt too deep that God cannot reach. No one can outrun God. At the same time, God also shows us our blind spots. We need to be humble to see and to do something about it, with God's help. Lotz also makes an insightful note that it is those times when we feel hurt that we can be tempted to look out at the specks of other people's eyes, forgetting about the log in our own eye. It is a reminder that hurt people are not perfect themselves. When God heals us from wounds by others, God can also heal us of our self-inflicted wounds. The chapter on the "Spiritual Blind Spots" by itself is worth the price of the book.
Hurts can also come about through the act of wounding. When God prunes, He can also feel the hurts. Discipline can be painful. Sometimes, God can use others to discipline us. Thus, we cannot be too liberal to say that all hurts are evil and badly intended. Readers are reminded that when God is in control, He is free to use all methods to guide us, even hurts. That said, God is no sadist. Though sometimes, for those of us who receive hurtful wounds hurled at us one after another, we start to question whether God is fair to us in the first place. What is most important in these cases, is to remember steadfastly that the world may forsake us, but God will never forsake us. When we are in the wilderness, God is there. When we cry, God is there. When we need hope, God is there. Just because we do not feel it does not mean God is absent. For every seemingly silent moment is a tiptoe by God to look for opportunities to touch us. Even if God is around us, we need open hearts to let Him in. We need to open up our clenched fists and to let Him hold us. One touching moment is how Anne Lotz lets God reach out to her through her famous dad. In a moment of exceptional sensitivity and love, the author's terrible day turns into a terrific moment of praise and thanksgiving. All because she knows someone cares. This book through and through is a testimony of how God cares for His people, especially when they feel hurt.
So What?
Having experienced personal hurts, Anne Graham Lotz is an example that often, authors do not choose their books. Their own life experiences dictates the way. Aware that there are many who choose to keep silent in order to avoid embarrassing themselves or others, Lotz chooses to make it known in this very personal book. She anchors her book on the truth that Jesus is able to heal not merely because He is God, but He has also been wounded by people.
Although the title of the book says wounded, this book is less about the wounding but more about the healing. After all, any hurts written about have already happened. Any conflicts have already occurred. What remains is the nursing of the wounds, the remembrance of them may be even more distressing.
I used to tell my fellow pastors that "sheep can bite." What I fail to add is that sheep can also be healing agents used by God. People hurt. God heals. That often happens through people who are willing to let God use them. Of all the challenges of recovering from hurts, I think the most difficult will be our self-inflicted hurts. Our self-imposed prison can be the most difficult to overcome. Lotz calls this the stubborn spirit. In such times, we all need eyes that not only can see, but eyes that are willing to see. We need ears that not only can hear, but are willing to listen. We need hearts that not only are open, but are willingly laid open for God to use and to touch. People can hurt us lots. People can throw mud at our faces or torment us with their words. The test of character is how we respond. Do we retaliate? Do we judge? Do we wallow in self-pity and regret? Or do we demonstrate the grace of God and to let the peace of God that transcends all understanding, keep our hearts and minds in Christ Jesus our Lord?
One more thing. Remember that while every hurt is an opportunity for healing, it can also be spiritual moments of encountering God when we are most bare, most vulnerable, and most raw. This book is required reading for all who love the Church, those who have been hurt, and those who yearn to see more of God, in spite of their wounds.
Rating: 4.5 stars of 5.
conrade
This book is provided to me free by Zondervan and NetGalley without any obligation for a positive review. All opinions offered above are mine unless otherwise stated or implied.
conrade
TITLE: Wounded by God's People: Discovering How God's Love Heals Our Hearts
AUTHOR: Anne Graham Lotz
PUBLISHER: Grand Rapids, MI: Zondervan, 2013, (240 pages).
Some of the deepest hurts are inflicted by people closest to you, even God's people. Some of the deepest healings are guided by God through the valley of hurts and wounds. So says the daughter of the famous Billy Graham. This reality has been experienced by many people. Most of them do get unreported. For various reasons, people choose to keep silent and quietly suffer the hurts they have received. Some will leave their church community they love. Others may even go around mouthing bad things as a retaliation. Not many will go on record to forgive and to publicly testify how God has healed them in spite of the deep hurts they have suffered from God's people. Ruth Graham Lotz is one such person who bucks the trend. She begins with painful memories of how she and her husband have been ostracized by her own Church in the aftermath of a power struggle, and compares her experience to that of Hagar. Feeling dumped by most of the Church people, she experiences the pain of rejection. Moreover, she was hurt by people she had respected, even receiving some wrongful accusations along the way. As she recalls the blows, she reflects back on Hagar, how God is bigger than any hurt.
Being hurt also brings about certain positive things. She learns that people who wound others are people who have been wounded themselves. This is the vicious cycle of pain. Like Sarah who has experienced the pain of being ignored by her husband, and as a result hurts Hagar. There is also the example of Hannah in the Bible, who was constantly ridiculed by Peninnah for not bearing a child. What happens is usually escape or to take flight. Wounded people, especially God's people often run away from the people who wound them. Thankfully, Lotz wastes no time in bringing readers toward the God who heals. Less than a third into the book, readers will notice that Lotz's intent is to lead people toward God more and more. There is no hurt too deep that God cannot reach. No one can outrun God. At the same time, God also shows us our blind spots. We need to be humble to see and to do something about it, with God's help. Lotz also makes an insightful note that it is those times when we feel hurt that we can be tempted to look out at the specks of other people's eyes, forgetting about the log in our own eye. It is a reminder that hurt people are not perfect themselves. When God heals us from wounds by others, God can also heal us of our self-inflicted wounds. The chapter on the "Spiritual Blind Spots" by itself is worth the price of the book.
Hurts can also come about through the act of wounding. When God prunes, He can also feel the hurts. Discipline can be painful. Sometimes, God can use others to discipline us. Thus, we cannot be too liberal to say that all hurts are evil and badly intended. Readers are reminded that when God is in control, He is free to use all methods to guide us, even hurts. That said, God is no sadist. Though sometimes, for those of us who receive hurtful wounds hurled at us one after another, we start to question whether God is fair to us in the first place. What is most important in these cases, is to remember steadfastly that the world may forsake us, but God will never forsake us. When we are in the wilderness, God is there. When we cry, God is there. When we need hope, God is there. Just because we do not feel it does not mean God is absent. For every seemingly silent moment is a tiptoe by God to look for opportunities to touch us. Even if God is around us, we need open hearts to let Him in. We need to open up our clenched fists and to let Him hold us. One touching moment is how Anne Lotz lets God reach out to her through her famous dad. In a moment of exceptional sensitivity and love, the author's terrible day turns into a terrific moment of praise and thanksgiving. All because she knows someone cares. This book through and through is a testimony of how God cares for His people, especially when they feel hurt.
So What?
Having experienced personal hurts, Anne Graham Lotz is an example that often, authors do not choose their books. Their own life experiences dictates the way. Aware that there are many who choose to keep silent in order to avoid embarrassing themselves or others, Lotz chooses to make it known in this very personal book. She anchors her book on the truth that Jesus is able to heal not merely because He is God, but He has also been wounded by people.
Although the title of the book says wounded, this book is less about the wounding but more about the healing. After all, any hurts written about have already happened. Any conflicts have already occurred. What remains is the nursing of the wounds, the remembrance of them may be even more distressing.
I used to tell my fellow pastors that "sheep can bite." What I fail to add is that sheep can also be healing agents used by God. People hurt. God heals. That often happens through people who are willing to let God use them. Of all the challenges of recovering from hurts, I think the most difficult will be our self-inflicted hurts. Our self-imposed prison can be the most difficult to overcome. Lotz calls this the stubborn spirit. In such times, we all need eyes that not only can see, but eyes that are willing to see. We need ears that not only can hear, but are willing to listen. We need hearts that not only are open, but are willingly laid open for God to use and to touch. People can hurt us lots. People can throw mud at our faces or torment us with their words. The test of character is how we respond. Do we retaliate? Do we judge? Do we wallow in self-pity and regret? Or do we demonstrate the grace of God and to let the peace of God that transcends all understanding, keep our hearts and minds in Christ Jesus our Lord?
One more thing. Remember that while every hurt is an opportunity for healing, it can also be spiritual moments of encountering God when we are most bare, most vulnerable, and most raw. This book is required reading for all who love the Church, those who have been hurt, and those who yearn to see more of God, in spite of their wounds.
Rating: 4.5 stars of 5.
conrade
This book is provided to me free by Zondervan and NetGalley without any obligation for a positive review. All opinions offered above are mine unless otherwise stated or implied.
Labels:
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Friday, November 15, 2013
Moving Tribute: "Give Me Jesus"
Ruth Bell Graham passed away on June 14th, 2007 leaving behind her husband, the famous evangelist, Billy Graham. This couple has lived out an exemplary Christlike lives. They remain a rare model for marriage, for faith, for spiritual fervour, for all things life, and above all, for Christ. This moving video is a reminder of such a great woman who had been called back to the Lord. I remember my time at Gordon-Conwell, my professors were saying about Ruth's special sense of humour that was so down to earth, and yet very profound. One day, as the car she was in crawled to a slow speed due to construction works, she saw the final road sign that says: "End of Construction - Thank You for your patience," she said to her husband that those were the words she wanted on her tombstone. As I reflect on her life and her husband, I am encouraged. I am inspired, that for me to live is Christ, and to die is gain. Give me Jesus.
Here is the song by Fernando Ortega, called "Give Me Jesus." You can also check out a beautiful writeup of famous quotes from Ruth and her husband here.
LYRICS: GIVE ME JESUS
Here is the song by Fernando Ortega, called "Give Me Jesus." You can also check out a beautiful writeup of famous quotes from Ruth and her husband here.
LYRICS: GIVE ME JESUS
In the morning, when I rise In the morning, when I rise In the morning, when I rise Give me Jesus. Give me Jesus, Give me Jesus. You can have all this world, Just give me Jesus. When I am alone, When I am alone, When I am alone, Give me Jesus. Give me Jesus. Give me Jesus, Give me Jesus. You can have all this world, Just give me Jesus. When I come to die, When I come to die, When I come to die, Give me Jesus. Give me Jesus. Give me Jesus, Give me Jesus. You can have all this world, Just give me Jesus. Give me Jesus. Give me Jesus, Give me Jesus. You can have all this world, You can have all this world, You can have all this world, Just give me Jesus.conrade
Labels:
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Wednesday, November 13, 2013
Midweek Meditation: "Jesus Be My Center"
This song helps us to focus on Jesus, the Author and Finisher of the Faith. It is a beautiful rendition of
JESUS BE THE CENTRE
conrade
JESUS BE THE CENTRE
Jesus, be the centre Be my source, be my light Jesus Jesus, be the centre Be my hope, be my song Jesus (Chorus) Be the fire in my heart Be the wind in these sails Be the reason that I live Jesus, Jesus Jesus, be my vision Be my path, be my guide Jesus (Chorus) Be the fire in my heart Be the wind in these sails Be the reason that I live Jesus, Jesus
conrade
Labels:
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Monday, November 11, 2013
BookPastor >> "Outreach and the Artist" (Con Campbell)
This review was first published on September 3rd, 2013 at Panorama of a Book Saint.
conrade
TITLE: Outreach and the Artist: Sharing the Gospel with the Arts
AUTHOR: Con Campbell
PUBLISHER: Grand Rapids, MI: Zondervan, 2013, (128 pages).
This is a unique contribution to the art of evangelism. We have many books pertaining to the how and the why of evangelism. Not many touch on the beauty and the creativity in terms of letting art speak the wonder of God. This book, written by an artist as well as a scholar tries to speak into the beauty of God using the natural artistic creativity of humans. The three thrusts of the book are about evangelism:
In evangelism with the arts, Campbell begins with his personal testimony of his journey through visual arts toward jazz. Paintings and drawings fail to interest him. The piano only motivates him up to a certain point. With the saxophone, something artistic within him finally clicks. It leads him to dedicate more time playing it. Playing it leads him to a love of jazz. Jazz leads him to the Church, but not after a period of grappling between God and jazz. Slowly but surely, he recognizes how jazz can replace God, and makes a conscious decision that instead of allowing jazz to become a god in itself, he will let jazz be a channel to lead people to God. Thus the book of outreach and the artist where Campbell describes not only his own journey from jazz to God, but to help readers find their own stories in terms of evangelism with, through, and to the arts.
The biggest “ministry” for the author is actually the art of listening. He realizes that people are often fed up with the culture that is high in telling people what to do, but low in listening to one another. Even Christians themselves are not immune. Pointing out that the biggest barrier to people is not atheism or Christianity per se, but Christian people, Campbell shares how through jazz, he is able to introduce the person of Jesus. Even if people are resistant to the gospel directly, they will still be open to a good session of jazz. Those who love jazz will find it appealing. Creativity has a purpose, and more importantly, music is a way in which we can infuse our search for personhood with creativity, meaning with spiritual awareness, and evoking thoughts without being rude. For example, a few different jazz players who play together as one united band is a marvelous expression of the Trinity, unique three persons and yet one God. Campbell makes a distinction between professionalism and opportunity. The former is about working out the best quality, while the latter is trying to use music as a means to reach out. Sometimes, being too conscious of using music as a tool for evangelism can unwittingly result in a deterioration of integrity of the music in itself. It is a fine balance.
Some tips include clear communications, where the artists explain exactly what they are doing and why; to acknowledge critics for their honesty; and to avoid 'bait and switch' techniques that bait people with music, and then rudely switch them to a Christian message. Better to be upfront in the first place. For Christians, having appropriate expectations are helpful. Other tips include how to involve the Church in any arts outreach event. One tip in particular is to build rapport. Whether the audience is churched or unchurched, the moment the musician or the artist is able to connect with the audience, a lot can be accomplished. People connect with what is common in all of our hearts: need for security, acceptance, love, care, and the awesome human touch.
In evangelism through the arts, Campbell looks at two ways in which arts-based outreach can be done. The first is the "message" where the message takes priority, and the means to do it is of secondary importance. Theologically, this is based on the foundation of the gospel that needs to be proclaimed and to be heard. We are Christians not because of the name. We are Christians because of the gospel. The second approach is the medium where attention is paid to the way the message is transmitted. Here, the message is infused or incorporated into the medium in such a way that outreach can be done creatively. Whether the message or the medium is used first, it is good to be aware of the pros and cons of each. Campbell then makes a case for the artist to do some self-evaluation to determine which is most appropriate, according to the evangelistic contexts and the gifts in possession.
In evangelism to the arts, Campbell directs his attention to the arts community. This is perhaps the most challenging of all, and the author dedicates three whole chapters to do that. Chapter five invites readers to learn to appreciate the contexts and the subcultures of the artists. What language do they speak? How do they communicate? What vocabulary do they use? How do they live? Who do they hang out with? One way that Christians can learn more about these subcultures is to maintain some connection with them. Credibility is key when it comes to connecting with artists. On the one hand, they dislike pretense, especially when Christians try to say they know music when they are actually non-musicians. On the other hand, they dislike bad quality artists. Chapter six then looks at how many artists who grow up in churches, eventually leave, prompting the author to say: "The church gave them music, and music took them away." He looks at the two reasons why these people leave the Church. The first reason is the incompatible lifestyles. Many musicians hang out to the wee hours of the night, and making it hard for them to be earnest and regular church attendees. The second reason is the way the rest of the Church stereotypes the musicians, and even ostracize them and alienates them. Campbell then homes in on the main problem. It is not the music or the art, the musicians or the artists, the Church or the wrong stereotypes. It is idolatry. For artists, any infatuation with glorifying the acts is tantamount to idolizing the arts. In an industry where total devotion is expected, artists are trapped between creating good quality work, and letting the pursuit become an end in itself. Learning to recognize and then to work toward dethroning such an idol is the key to survival. A great way forward is to look for those who have successfully modeled a lifestyle that is honouring the arts without making them an idol. Learn from various individuals. Campbell includes in the book some short profiles of several artists like Keeley Manca Lambert (Acting); Richard Maegraith (Jazz); Dan McGowan (Comedian); Kristin Berardi (Music and Photography); Ian McGilvray (Painting); Keith Birchley (Classical Music); Hayley Neal (Performing Arts).
So What?
This is a special work of art, written by a musician as well as a scholar. As a jazz musician, Campbell understands music and the temptations that go with idolizing it. As a scholar, he thinks through the implications of theology and the arts. Campbell is also an Associate Professor of New Testament at TEDS. One of his recent books is a theological one, called "Paul and Union with Christ." You can read my review of that book here. Written in a very easy to read, but yet powerfully anchored on the premises of the gospel and theological integrity, Campbell urges readers to be creative in any evangelistic endeavours; to be active in engaging the arts community through genuine interest; to be welcoming in terms of openly appreciating the works of musicians through sincere engagement; to encourage musicians and artists from within the Christian community to see the bigger picture of God who can work with, through, and use Christians to speak to the arts community.
I like the attention given to arts in this book. While it seems like a book that attempts to evangelize the community of artists and musicians, readers will be pleasantly surprised that the book offers much more. In fact, it even invites readers to take the plunge and do the arts, if not, to be more appreciative of the arts. Learn to communicate our intent for sharing the gospel in love. Instead of trying to "bait and switch" any unsuspecting artist, be frank with them and state our intention upfront. Ask for permission. Be genuinely interested in what they are doing. Let the love of God spur all of us to good music and great art, and in the midst of enjoying the arts, we get a glimpse of the beauty of God. In the midst of marveling at the wonders of God, we get a glimpse of the human person created in the image of God.
You do not need to be an artist in order to appreciate this book. What you need is to have an eye for appreciating the arts, and an open heart to learn, to be humble, and to ask the experienced professional to teach us. Who knows. Our humility and willingness to learn from them can teach us a thing or two about faith and spirituality. Our learning disposition can also encourage non-Christians to adopt the same attitude when it comes to faith and the gospel.
Rating: 4.75 stars of 5.
conrade
I received this book free from the publisher through the BookSneeze.com® book review bloggers program. I was not required to write a positive review. The opinions I have expressed are my own. All opinions offered above are mine unless otherwise stated or implied.
conrade
TITLE: Outreach and the Artist: Sharing the Gospel with the Arts
AUTHOR: Con Campbell
PUBLISHER: Grand Rapids, MI: Zondervan, 2013, (128 pages).
This is a unique contribution to the art of evangelism. We have many books pertaining to the how and the why of evangelism. Not many touch on the beauty and the creativity in terms of letting art speak the wonder of God. This book, written by an artist as well as a scholar tries to speak into the beauty of God using the natural artistic creativity of humans. The three thrusts of the book are about evangelism:
- With the arts; (chapters 2-3)
- Through the arts; (chapter 4)
- To the arts. (chapters 5-7)
In evangelism with the arts, Campbell begins with his personal testimony of his journey through visual arts toward jazz. Paintings and drawings fail to interest him. The piano only motivates him up to a certain point. With the saxophone, something artistic within him finally clicks. It leads him to dedicate more time playing it. Playing it leads him to a love of jazz. Jazz leads him to the Church, but not after a period of grappling between God and jazz. Slowly but surely, he recognizes how jazz can replace God, and makes a conscious decision that instead of allowing jazz to become a god in itself, he will let jazz be a channel to lead people to God. Thus the book of outreach and the artist where Campbell describes not only his own journey from jazz to God, but to help readers find their own stories in terms of evangelism with, through, and to the arts.
The biggest “ministry” for the author is actually the art of listening. He realizes that people are often fed up with the culture that is high in telling people what to do, but low in listening to one another. Even Christians themselves are not immune. Pointing out that the biggest barrier to people is not atheism or Christianity per se, but Christian people, Campbell shares how through jazz, he is able to introduce the person of Jesus. Even if people are resistant to the gospel directly, they will still be open to a good session of jazz. Those who love jazz will find it appealing. Creativity has a purpose, and more importantly, music is a way in which we can infuse our search for personhood with creativity, meaning with spiritual awareness, and evoking thoughts without being rude. For example, a few different jazz players who play together as one united band is a marvelous expression of the Trinity, unique three persons and yet one God. Campbell makes a distinction between professionalism and opportunity. The former is about working out the best quality, while the latter is trying to use music as a means to reach out. Sometimes, being too conscious of using music as a tool for evangelism can unwittingly result in a deterioration of integrity of the music in itself. It is a fine balance.
Some tips include clear communications, where the artists explain exactly what they are doing and why; to acknowledge critics for their honesty; and to avoid 'bait and switch' techniques that bait people with music, and then rudely switch them to a Christian message. Better to be upfront in the first place. For Christians, having appropriate expectations are helpful. Other tips include how to involve the Church in any arts outreach event. One tip in particular is to build rapport. Whether the audience is churched or unchurched, the moment the musician or the artist is able to connect with the audience, a lot can be accomplished. People connect with what is common in all of our hearts: need for security, acceptance, love, care, and the awesome human touch.
In evangelism through the arts, Campbell looks at two ways in which arts-based outreach can be done. The first is the "message" where the message takes priority, and the means to do it is of secondary importance. Theologically, this is based on the foundation of the gospel that needs to be proclaimed and to be heard. We are Christians not because of the name. We are Christians because of the gospel. The second approach is the medium where attention is paid to the way the message is transmitted. Here, the message is infused or incorporated into the medium in such a way that outreach can be done creatively. Whether the message or the medium is used first, it is good to be aware of the pros and cons of each. Campbell then makes a case for the artist to do some self-evaluation to determine which is most appropriate, according to the evangelistic contexts and the gifts in possession.
In evangelism to the arts, Campbell directs his attention to the arts community. This is perhaps the most challenging of all, and the author dedicates three whole chapters to do that. Chapter five invites readers to learn to appreciate the contexts and the subcultures of the artists. What language do they speak? How do they communicate? What vocabulary do they use? How do they live? Who do they hang out with? One way that Christians can learn more about these subcultures is to maintain some connection with them. Credibility is key when it comes to connecting with artists. On the one hand, they dislike pretense, especially when Christians try to say they know music when they are actually non-musicians. On the other hand, they dislike bad quality artists. Chapter six then looks at how many artists who grow up in churches, eventually leave, prompting the author to say: "The church gave them music, and music took them away." He looks at the two reasons why these people leave the Church. The first reason is the incompatible lifestyles. Many musicians hang out to the wee hours of the night, and making it hard for them to be earnest and regular church attendees. The second reason is the way the rest of the Church stereotypes the musicians, and even ostracize them and alienates them. Campbell then homes in on the main problem. It is not the music or the art, the musicians or the artists, the Church or the wrong stereotypes. It is idolatry. For artists, any infatuation with glorifying the acts is tantamount to idolizing the arts. In an industry where total devotion is expected, artists are trapped between creating good quality work, and letting the pursuit become an end in itself. Learning to recognize and then to work toward dethroning such an idol is the key to survival. A great way forward is to look for those who have successfully modeled a lifestyle that is honouring the arts without making them an idol. Learn from various individuals. Campbell includes in the book some short profiles of several artists like Keeley Manca Lambert (Acting); Richard Maegraith (Jazz); Dan McGowan (Comedian); Kristin Berardi (Music and Photography); Ian McGilvray (Painting); Keith Birchley (Classical Music); Hayley Neal (Performing Arts).
So What?
This is a special work of art, written by a musician as well as a scholar. As a jazz musician, Campbell understands music and the temptations that go with idolizing it. As a scholar, he thinks through the implications of theology and the arts. Campbell is also an Associate Professor of New Testament at TEDS. One of his recent books is a theological one, called "Paul and Union with Christ." You can read my review of that book here. Written in a very easy to read, but yet powerfully anchored on the premises of the gospel and theological integrity, Campbell urges readers to be creative in any evangelistic endeavours; to be active in engaging the arts community through genuine interest; to be welcoming in terms of openly appreciating the works of musicians through sincere engagement; to encourage musicians and artists from within the Christian community to see the bigger picture of God who can work with, through, and use Christians to speak to the arts community.
I like the attention given to arts in this book. While it seems like a book that attempts to evangelize the community of artists and musicians, readers will be pleasantly surprised that the book offers much more. In fact, it even invites readers to take the plunge and do the arts, if not, to be more appreciative of the arts. Learn to communicate our intent for sharing the gospel in love. Instead of trying to "bait and switch" any unsuspecting artist, be frank with them and state our intention upfront. Ask for permission. Be genuinely interested in what they are doing. Let the love of God spur all of us to good music and great art, and in the midst of enjoying the arts, we get a glimpse of the beauty of God. In the midst of marveling at the wonders of God, we get a glimpse of the human person created in the image of God.
You do not need to be an artist in order to appreciate this book. What you need is to have an eye for appreciating the arts, and an open heart to learn, to be humble, and to ask the experienced professional to teach us. Who knows. Our humility and willingness to learn from them can teach us a thing or two about faith and spirituality. Our learning disposition can also encourage non-Christians to adopt the same attitude when it comes to faith and the gospel.
Rating: 4.75 stars of 5.
conrade
I received this book free from the publisher through the BookSneeze.com® book review bloggers program. I was not required to write a positive review. The opinions I have expressed are my own. All opinions offered above are mine unless otherwise stated or implied.
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Wednesday, November 06, 2013
Midweek Meditation: "Thanksgiving Prayer"
This prayer by the late Samuel Pugh (1850-1922) is a reminder that we need to be good stewards of what we have, to be mindful of those who do not have, and to do something about it.
conrade
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Monday, November 04, 2013
BookPastor >> "Speaking Christian" (Marcus J. Borg)
TITLE: Speaking Christian: Why Christian Words Have Lost Their Meaning and Power - And How They Can Be Restored
AUTHOR: Marcus J. Borg
PUBLISHER: New York, NY: HarperOne, 2011, (256 pages).
Have you ever heard of "Christian Talk?" It is a kind of language that uses familiar Christian words marinated in Christian Church culture. Some people call it "Christian Speak"or "Churchy" language. Instead of letting words communicate what they mean, Christian Talk communicates a particular culture, that often distorts what the words actually mean. This book aims to bring back the true meaning of the words so often misused and even abused. According to Marcus Borg, Canon Theologian at Trinity Episcopal Cathedral in Portland as well as a Distinguished Professor Emeritus at Oregon State University, there are two reasons why the words have been misused.
AUTHOR: Marcus J. Borg
PUBLISHER: New York, NY: HarperOne, 2011, (256 pages).
Have you ever heard of "Christian Talk?" It is a kind of language that uses familiar Christian words marinated in Christian Church culture. Some people call it "Christian Speak"or "Churchy" language. Instead of letting words communicate what they mean, Christian Talk communicates a particular culture, that often distorts what the words actually mean. This book aims to bring back the true meaning of the words so often misused and even abused. According to Marcus Borg, Canon Theologian at Trinity Episcopal Cathedral in Portland as well as a Distinguished Professor Emeritus at Oregon State University, there are two reasons why the words have been misused.
Labels:
BookPastor,
Christian Living,
Christianity,
Culture,
HarperOne,
People
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