Duccio's Painting on Jesus and the Samaritan Woman |
Duccio shows us an image of prayer, of the need and the hunger for God. The apostles have gone into the city to satisfy their hunger. They emerge in a compact bunch, supporting one another, protected from the clear light of His presence by the fortress of the world, their own self-sufficiency.
Their hands are full, they clasp themselves, satisfied hands with the food of this world in their grasp. But the woman stands alone and exposed before Jesus. Her emptiness is seen not only in her hands, but in the most noticeable detail about her, which is the large empty pot on her head.
She does not hide her poor human emptiness: she exposes it, but the exposing is to Jesus. She is a living symbol of our need for Him. She stands still, an image of the stillness we choose at prayer. But Jesus does not reach out His hand to fill hers. He does not come to her. Jesus sits by the well and asks her to give to Him: her need is met with demand - again, a moving symbol of prayer. God gives Himself, not obviously, not in terms tangible or visible, but in holy contradiction. It is in giving that we receive: we, us. Our prayer may seem all nothingness, all giving, giving of time, of energy, of struggle to be present.
Jesus may seem to have only asked, not given. But that is how He does give. The woman went away, wholly changed, fed and renewed to her innermost depths. Yet she was given no water, no food. Jesus told her to draw her own water, and He revealed to her the shameful inner truth she carried. Yet this apparently merciless treatment was living water, was life, was communication of God at such intensity that there were no human terms in which the woman could see or judge what had happened to her. But she believed, and the whole city of her personality, her whole self, all she was and could become, believed with her.
(Sister Wendy Beckett, Sister Wendy on Prayer, NY: Harmony Books, 2006, p39-41)
(Sister Wendy Beckett, Sister Wendy on Prayer, NY: Harmony Books, 2006, p39-41)
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